2021
Tikhonova, Yulia, Precision: Illustrative Techniques in Art and Science [catalog]. The Art Gallery of Eastern Connecticut State University.

2019
Joelson, Jo, ‘“Susan Gamble & Michael Wenyon” (Book Section)’, in Library of Light - Encounters with Artists and Designers (London, UK: Lund Humphries, 2019), pp. 85–91

2018
Barnes, Martin, ‘“Stockings” and “Knickers” from the Series “The Body in Question”, 1982, Reproduction of Holograms by Susan Gamble’, in Cameraless Photography (London: Thames & Hudson Ltd in association with the Victoria & Albert Museum, 2018), pp. 106–7

2016
Heartney, Eleanor. “Constructing Science.” published on wengam.com in association with the exhibition at the New York Hall of Science  

2014
Schroeter, Jens. “3D. History, Theory and Aesthetics of the Transplane Image." New York: Bloomsbury Academic, (ISBN: 9781441148162).

2009
Schröter, Jens. Die künstlerische Holographie: Der Illusionismus, das Licht und die Achronie. In 3D - Zur Geschichte, Theorie und Medienästhetik des technisch-transplanen Bildes, 285-309. München: Wilhelm Fink.

Bryson, Norman. Auch Bücher haben ihr Schicksal, Wenyon & Gambles Bibliomancy. In Das holographische Wissen, 153-160. Zürich-Berlin: Diaphanes, 2009.

2004
MacWilliam, Shirley, essay in Art at the Met Office, Met Office, Exeter.   

2003
Gage, John, ‘“Light from Shadow”, essay in the Catalog to the Exhibition at the Ivan Dougherty Gallery COFA, University of New South Wales, Sydney, October 22 – November 29, 2003’, Light from Shadow, 2003.   

England, Jane, essay in The Map is Not the Territory, England and Co., London.

2001
Osaka, Eriko, In Pursuit of a New Horizon: A Journey of Contemporary Art and the Universe, essay in Space Odyssey, Contemporary Art Center, Art Tower Mito, Mito, Japan.

2000
Bricker Balken, Debra, Wenyon & Gamble's Space Waves, in "Observing the Observers…", Wenyon & Gamble, MIT Museum, Cambridge Mass (catalog of individual show).   

Kemp, Martin, editor, The History of Western Art, Oxford University Press.

1998
Bryson, Norman, Books Too Have Their Destinies: Wenyon & Gamble's "Bibliomancy", and Wentworth, Michael, introduction, in "Bibliomancy", Wenyon & Gamble, Boston Athenæum (catalog of individual show).   

1998
Cazeaux, Clive; Green, James, and Peat, David, Dark Matter: A Visual Exploration of The New Physics, The Harris Museum & Art Gallery, Preston (group exhibition catalog).

1995
Nakagawa, Motoko, Hon no bijutsushi: Seisho kara maltimedia made (History of the art of the book: from the Bible to multimedia), Kosakusha Publishing, Tokyo, pp. 185—188 (book, Japanese).

1994
Berger, René, The technological arts at the dawn of the twenty-first century, Prix UNESCO 1993, UNESCO, p 72 (catalog).

Platt, Ron, The Ghost in the Machine, List Visual Arts Center, MIT (catalog of group show).   

1993
Popper, Frank, Art of the Electronic Age, Abrahms Inc, NY, pp. 4546. (book)   

Capucci, Pier Luigi, Realta del Virtuale, University of Bologna, p 118. (book, Italian)

Chandler, David and Titterington, Chris, Volumes, The Photographer's Gallery, London (catalog of show).   

Turner, Silvie, ed., British Artists Books 1983—93, estamp, London. (book)

1992
Asai, Toshihiro, Critérium IV: Wenyon & Gamble, Bibliography, Art Tower Mito, Japan, p3. (catalog of individual show, essay in Japanese)   

Nakagawa, Motoko, ‘The Metaphor of the Book in Art’, Annual Report of the Faculty of Education Bunkyo University, 26 (1992), 27–48 (excerpt p44–46)   

1991
Barilleaux, René Paul, New Directions in Holography, Whitney Museum, catalog, p 3, 4.

1988
Mellor, David, ‘Romances of Decay, Elegies for the Future’, in British photography: towards a bigger picture, ed. by Charles Hagen and Nan Richardson (Aperture, 1988), pp. 52–67

1987
Galloway, David, artware, ECON Verlag, Düsseldorf, p12. (book, German)

Zec, Peter, Holographie, Dumont Buchverlag, Cologne, p165-167. (book, German)

Friese, Peter, Die Tauschung führt sich hinter's Licht, in Künstlichkeit und Wirklichkeit, Volkshochschule Wuppertal, p 5457. (catalog, German)   

Anon., ‘Pandora’s Key, a Selection of Work by Some of Southwark’s Women Artists’, Catalogue to Exhibition at the South London Art Gallery, March 27 – May 7, 1987. (South London Art Gallery, 1987)

1986
Blekkenhorst, Tom and van Berkum, Ans, Science*Art, pub. by Fentener van Vlissingen Foundation, Utrecht, p 58—59. (book)

1985
Galloway, David. “‘Artware’, Introductory Essay in Catalog to the Exhibition in the Congress Center Hamburg, November 27th – December 1st, 1985, on the Occasion of the InterMedia Congress, Curator: David Galloway.” Artware (catalog). Congress Centrum Hamburg: N. p., 1985. Print.

1984
Briers, David, Duped by Their Art, Wenyon & Gamble, New Holograms, Glynn Vivian Art Gallery & Museum, Swansea. (catalog)