2009
Schröter, Jens. Die künstlerische Holographie: Der Illusionismus, das Licht und die Achronie. In 3D - Zur Geschichte, Theorie und Medienästhetik des technisch-transplanen Bildes, 285-309. München: Wilhelm Fink, 2009.
Bryson, Norman. Auch Bücher haben ihr Schicksal, Wenyon & Gambles Bibliomancy. In Das holographische Wissen, 153-160. Zürich-Berlin: Diaphanes, 2009. [PDF]
2004
MacWilliam, Shirley, essay in Art at the Met Office, Met Office, Exeter. →
2003
Gage, John, essay in Light from Shadow, Ivan Dougherty Gallery, University of New South Wales, Paddington, Australia. ➚
England, Jane, essay in The Map is Not the Territory, England and Co., London.
2001
Osaka, Eriko, In Pursuit of a New Horizon: A Journey of Contemporary Art and the Universe, essay in Space Odyssey, Contemporary Art Center, Art Tower Mito, Mito, Japan.
2000
Bricker Balken, Debra, Wenyon & Gamble's Space Waves, in "Observing the Observers…", Wenyon & Gamble, MIT Museum, Cambridge Mass (catalog of individual show). →
Kemp, Martin, editor, The History of Western Art, Oxford University Press.
1998
Bryson, Norman, Books Too Have Their Destinies: Wenyon & Gamble's "Bibliomancy", and Wentworth, Michael, introduction, in "Bibliomancy", Wenyon & Gamble, Boston Athenæum (catalog of individual show).
1998
Cazeaux, Clive; Green, James, and Peat, David, Dark Matter: A Visual Exploration of The New Physics, The Harris Museum & Art Gallery, Preston (group exhibition catalog).
1995
Nakagawa, Motoko, Hon no bijutsushi: Seisho kara maltimedia made (History of the art of the book: from the Bible to multimedia), Kosakusha Publishing, Tokyo, pp. 185—188 (book, Japanese). → [PDF]
1994
Berger, René, The technological arts at the dawn of the twenty-first century, Prix UNESCO 1993, UNESCO, p 72 (catalog).
Platt, Ron, The Ghost in the Machine, List Visual Arts Center, MIT (catalog of group show). →
1993
Popper, Frank, Art of the Electronic Age, Abrahms Inc, NY, pp. 4546. (book) →
Capucci, Pier Luigi, Realta del Virtuale, University of Bologna, p 118. (book, Italian)
Chandler, David and Titterington, Chris, Volumes, The Photographer's Gallery, London (catalog of individual show).
Turner, Silvie, ed., British Artists Books 1983—93, estamp, London. (book)
1992
Asai, Toshihiro, Critérium IV: Wenyon & Gamble, Bibliography, Art Tower Mito, Japan, p3. (catalog of individual show, essay in Japanese) →
1991
Barilleaux, René Paul, New Directions in Holography, Whitney Museum, catalog, p 3, 4. [PDF]
1988
various authors, British Photography: Towards a Bigger Picture, Aperture (New York) 113, p59. (book)
1987
Galloway, David, artware, ECON Verlag, Düsseldorf, p12. (book, German)
Zec, Peter, Holographie, Dumont Buchverlag, Cologne, p165-167. (book, German) →
Friese, Peter, Die Tauschung führt sich hinter's Licht, in Künstlichkeit und Wirklichkeit, Volkshochschule Wuppertal, p 5457. (catalog, German) →
1986
Blekkenhorst, Tom and van Berkum, Ans, Science*Art, pub. by Fentener van Vlissingen Foundation, Utrecht, p 58—59. (book)
1984
Briers, David, Duped by Their Art, Wenyon & Gamble, New Holograms, Glynn Vivian Art Gallery & Museum, Swansea. (catalog) →
Schröter, Jens. Die künstlerische Holographie: Der Illusionismus, das Licht und die Achronie. In 3D - Zur Geschichte, Theorie und Medienästhetik des technisch-transplanen Bildes, 285-309. München: Wilhelm Fink, 2009.
Bryson, Norman. Auch Bücher haben ihr Schicksal, Wenyon & Gambles Bibliomancy. In Das holographische Wissen, 153-160. Zürich-Berlin: Diaphanes, 2009. [PDF]
2004
MacWilliam, Shirley, essay in Art at the Met Office, Met Office, Exeter. →
2003
Gage, John, essay in Light from Shadow, Ivan Dougherty Gallery, University of New South Wales, Paddington, Australia. ➚
England, Jane, essay in The Map is Not the Territory, England and Co., London.
2001
Osaka, Eriko, In Pursuit of a New Horizon: A Journey of Contemporary Art and the Universe, essay in Space Odyssey, Contemporary Art Center, Art Tower Mito, Mito, Japan.
2000
Bricker Balken, Debra, Wenyon & Gamble's Space Waves, in "Observing the Observers…", Wenyon & Gamble, MIT Museum, Cambridge Mass (catalog of individual show). →
Kemp, Martin, editor, The History of Western Art, Oxford University Press.
1998
Bryson, Norman, Books Too Have Their Destinies: Wenyon & Gamble's "Bibliomancy", and Wentworth, Michael, introduction, in "Bibliomancy", Wenyon & Gamble, Boston Athenæum (catalog of individual show).
1998
Cazeaux, Clive; Green, James, and Peat, David, Dark Matter: A Visual Exploration of The New Physics, The Harris Museum & Art Gallery, Preston (group exhibition catalog).
1995
Nakagawa, Motoko, Hon no bijutsushi: Seisho kara maltimedia made (History of the art of the book: from the Bible to multimedia), Kosakusha Publishing, Tokyo, pp. 185—188 (book, Japanese). → [PDF]
1994
Berger, René, The technological arts at the dawn of the twenty-first century, Prix UNESCO 1993, UNESCO, p 72 (catalog).
Platt, Ron, The Ghost in the Machine, List Visual Arts Center, MIT (catalog of group show). →
1993
Popper, Frank, Art of the Electronic Age, Abrahms Inc, NY, pp. 4546. (book) →
Capucci, Pier Luigi, Realta del Virtuale, University of Bologna, p 118. (book, Italian)
Chandler, David and Titterington, Chris, Volumes, The Photographer's Gallery, London (catalog of individual show).
Turner, Silvie, ed., British Artists Books 1983—93, estamp, London. (book)
1992
Asai, Toshihiro, Critérium IV: Wenyon & Gamble, Bibliography, Art Tower Mito, Japan, p3. (catalog of individual show, essay in Japanese) →
1991
Barilleaux, René Paul, New Directions in Holography, Whitney Museum, catalog, p 3, 4. [PDF]
1988
various authors, British Photography: Towards a Bigger Picture, Aperture (New York) 113, p59. (book)
1987
Galloway, David, artware, ECON Verlag, Düsseldorf, p12. (book, German)
Zec, Peter, Holographie, Dumont Buchverlag, Cologne, p165-167. (book, German) →
Friese, Peter, Die Tauschung führt sich hinter's Licht, in Künstlichkeit und Wirklichkeit, Volkshochschule Wuppertal, p 5457. (catalog, German) →
1986
Blekkenhorst, Tom and van Berkum, Ans, Science*Art, pub. by Fentener van Vlissingen Foundation, Utrecht, p 58—59. (book)
1984
Briers, David, Duped by Their Art, Wenyon & Gamble, New Holograms, Glynn Vivian Art Gallery & Museum, Swansea. (catalog) →