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2009
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Gage,
John. “Signs of Disharmony: Newton’s Opticks and the Artists.”
Perspectives on Science 16, no. 4 (December 1, 2008): 360-377
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| 2000 |
Baker, Kenneth,
Manifold
'Sensations' From Earth to Moon,
San Francisco Chronicle, Aug 5, p B1 |
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McQuaid, Cate,
Digital Art Takes Wing, The Boston Globe 'Calendar', April 27, p13 |
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Silver, Joanne,
Telescopes,
the final frontier,
The Boston Herald, March 31, pS8 pdf(132K) |
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Giuliano, Charles,
A lesson in techie art, Boston Citysearch (online magazine), March text1 text2 |
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Heinemann, Lynn,
Haystack
Artists-in-Residence Show their Work,
MIT Tech Talk, Feb 16 |
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Silver, Joanne,
Artists celebrate weird science, Boston Herald, Visual
Arts, Friday, Jan 14, p S10 |
| 1998 |
McQuaid, Cate,
Bibliomancy:
Holograms by Wenyon and Gamble,
The Boston Globe, Apr 16, p E3 |
| 1997 |
Chet Raymo, Science Musings:
make room for art amid the quarks,
The Boston Globe, Oct 20, p CO8 pdf(12K) |
| 1996 |
Macmillan, Duncan,
Northern Lights (review), The Scotsman, Dec 30 |
| 1995 |
Fifield, George,
The Ghost in The Machine, Art New England, Feb/March 45 |
| 1994 |
Temin, Christine,
A concern with humanity unifies trio of shows at MIT,The Boston Sunday Globe, October
30, page B2 |
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Onorato, Ronald
J, The Ghost in the Machine, VIEWS: The New England Journal of Art |
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Donald, Ann,
Shimmering Forms, The List, 22 April - 5 May 1994, p64 |
| 1993 |
anonymous, Bijutsu
Techno, (Tokyo), Nov, vol 45 #678, pp 24-25 |
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Lillington, David,
Wenyon
& Gamble,
Time Out, June 30-July 7, p43 pdf(28K) |
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Benjamin, Marina,
Holography
and the play of light,
New Scientist, 19 June 1993, p41 pdf
(112K) |
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Courtney, Cathy,
Artists' Books: Wenyon & Gamble, Art Monthly, 163, February, p28-29 |
| 1992 |
Wenyon &
Gamble, The Form of the Invisible, lecture presented at the Third International Symposium
on Electronic Art, Sydney, Australia, November 3-9, 1992 |
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Wenyon &
Gamble, Volumes--holograms of books, Journal of the Institute of Art & Design
of Tsukuba University, March, pp 31-38 |
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Gamble, Susan,
Art & Technology in Japan, Art Monthly Australia, March, No. 47,pp 10-11 |
| 1991 |
Saxby, Graham,
Dimensional Ability, The British Journal of Photography, November 14 |
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Hagen, Charles,
The
Case for Holograms: The Defense Resumes,
The New York Times, Nov 29, p C24 |
| 1990 |
van Peer, Door
René, Grote verschillen in expositie Apollohuis, Eindhoven Dagblad, February 27 |
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Bianchi, Paolo,
Wenyon & Gamble, Kunstlerpaare, Kunstforum International (Cologne) 106, p 200-2 |
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Wenyon &
Gamble, 17th Century Optics in 20th Century Art,
IS magazine (Tokyo) 49, p 75 (in Japanese) |
| |
Wenyon &
Gamble, 17th Century Optics in 20th Century Art,
SPIE Proceedings Vol 1212, Practical Holography, Stephen Benton editor, Los Angeles
pdf
(144K) |
| 1989 |
Delfgaauw, Leo,
Towards Instruction and Pleasure,
Perspektief (Rotterdam) 37, p 13, 22 & 23 |
| 1988 |
Titterington,
Chris, Where
Art Meets Science,
New Scientist 117 no. 1598, February 4, p 66-68 & 71 (issue features hologram
on cover designed by Wenyon & Gamble) |
| 1987 |
Capucci, Pier
Luigi, Linea Grafica (Milan), March |
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Basham, Anna,
Holograms by Wenyon & Gamble, Arts Review 39 no. 7 (April 10) |
| 1987 |
Prochak, Michael,
The Days of Miracle and Wonder,
The Guardian, Thursday, Nov 12, p 17 |
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Yamaguchi, Katsuhiro,
Illuminated Art--from Candle to Laser,
Ikebana Sogetsu (Tokyo) No. 170, p79 (in Japanese) |
| 1986 |
Leston, Kimberley,
Laser Days, The Face, September |
| 1985 |
Pollitt, Nigel,
Beam
of Love,
City Limits, October 4 |
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Tait, Anna, Exposure,
British Journal of Photography 132 No 6532 (Oct 11), p 1148-1149 & cover |
| 1984 |
Saxby, Graham,
Wenyon & Gamble, New Holograms, British Journal of Photography, Sept 7 |
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Kinmouth, Patrick,
reproduction and caption, Vogue, October, p 22 |
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Hughes, Mike,
Resuscitating a young art, Arts Yorkshire, December/January |
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van Stein, Emmanuel,
Hintergründiger
Witz,
review, Köln Stadt-Anzeiger, December 21 |
| 1983 |
anon., reproduction
and caption, Cosmopolitan, March, p 14 |
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McManus, Irene,
The Holography Show, The Guardian, June 1 |
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Fallon, Brian,
Modern Art in Kilkenny, The Irish Times, September 2 |
| 1982 |
Kelly, Liam,
Holograms at the Orchard Gallery, Derry,
The Irish Times, October 20 |
| 1981 |
Ellmann, Lucy,
Spotlights
and Glass Plates,
review,
Time Out, November 5 |
| 1979 |
Wenyon, Michael,
Holography
is an Art Form, Not a Gimmick,
Design, November |
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